A Definition of the Word Trust Essay Example for Free

A Definition of the Word Trust Essay When you think of a very special quality everyone should have, trust is the first thing that comes to my mind. Being able to trust someone is very important. We have to trust people in our lives every single day. Trust helps us to have relationships and friendships. Trust is defined as believing in someone in the dictionary. Although this seems simple, it is not that easy to understand and comprehend. Trust has a deep meaning as we continue to grow and change in life. We go through many things that make us change as we live, grow, and experience different challenges. Trust is believing in someone with your whole heart and believing that he or she will take care of it or appreciate it. There are so many types of trust. Three type of trust are: trusting in a family member, trusting in someone special, and trusting in friends. With our family members, we have deep trust. They have been through everything with us and most of deep dark secrets. They have been there for us during the good times and the bad. They watched us go through elementary, middle and high school. Your family has been there to watch you mature and become the person you are today. We have deep trust with them because they took care of us when we were sick or needed someone to cry on. Since we tell them everything, we are the most attached to them. They know when we are acting strange or weird and can tell when we are sad or ecstatic. They share all kinds of memories with us and understand what and where we have been. We let family know almost everything about us. We go back to them when we have nowhere else to go. We trust them with our lives because we know no matter what, that they will always love and care for us. Another kind of trust is trust in someone special or someone that we think is our true love. See more:Â  First Poem for You Essay We tell them everything about us because we believe that they really care. We tell him or her things that we keep to ourselves because we believe that he or she has committed to us. It takes a lot of time to have this kind of trust in a relationship. It takes a lot of time to confide our secrets and personal issues in someone else. When you have such a deep trust with him or her, there should be no secrets. There are no secrets when you truly love each other. This kind of trust is just part of the commitment to each other. In this commitment, you trust each other to be faithful, respectful and to always be there for each other. Another type of trust is the trust between friends. We let our friends know about some of our secrets. We keep the deep dark ones away from them. We also try to hide our past and do not trust them right away because we have had friends in the past betray and hurt us numerous times. We do not trust them right away because we do not know about their life or their past. We do not know where they come from or what they believe makes a good friend. So we as humans hide our feelings and do not trust them. It is only when we spend a lot of time and slowly open up to each other that we become closer and can eventually trust them. Trust cannot be given. It has to be earned. It is not as simple as believing. Trust is earned. When you earn trust, you realize that you can tell him or her anything and they will still be there for you. Trust is not easy to earn though. You have to really believe in the other person and know that they will not let you down. Therefore, trust is very important to humans everywhere. Trust is a huge factor of unity and without it people cannot live in unity. Only you can fully understand trust in your own way. Trust is having a special place in their heart and you having special place for them. Finally, trust is the base for all relationships and friendships. Without trust, we cannot find the true meaning of life. Trust is a must for everything in life.

The decisive moment

The decisive moment Page | 1 This essay will look at the foundation, importance, and relevance of the decisive moment. It will evaluate how this notion is perceived in today’s society and evaluate how technology has affected it throughout the years and if it became less recognisable and less consciously considered. The idea of the decisive moment was established by Henri Cartier-Bresson (August 22, 1908– August 3, 2004) and quickly became the leading theory; soon basis of photography for centuries. In order to fully understand the decisive moment, it is highly important to recognise its origin and certain ideologies behind it. The idea was officially introduced and named by Cartier-Bresson in his book under the same title in 1952; the decisive moment was and still is considered to appear when both artistic and the meaningful aspects of life come together for a split second and can be then captured and documented through in this case the lens of the camera. The decisive moment photograph never exists as a singular image. Such image can only emerge as a part of an entire photo shoot. Not even the greatest photographers are capable of capturing a remarkable image with just a single frame. Cartier-Bresson’s theory, the decisive moment soon became known, much respected and used by all professional photographers; not much later being considered as a beginning of street and photojournalism style of photography. In his book Cartier-Bresson talks about his idea of the decisive moment- what later became known as photojournalism; he states ‘I wanted to capture the quintessence of the phenomenon in a single image†¦ in order to give meaning to the world, one has to feel oneself involved in what one frames in the viewfinder†¦ its putting one’s head, one’s eye, one’s heart on the same axis†¦ it is a way of life’. The above quote proves that the decisive moment itself was more than just an idea. It was a way of thinking, living and a style of work, obeyed not just by lifelong commitment of Henri Cartier-Bresson himself but many if not all professional photographers to follow. He believed in the unique purpose of photography in comparison to other visual arts such as painting. This therefore that photography has a unique capability to capture momentary and constant flow of life e.g. vide diversions within different cultures (he created series of photog raphs in countries such as India, France and Russia), political and economic changes. For example he was drawn to India by the significant political events – which then lead to major economic and cultural changes such as the Partition and assassination of Ghandi. Both of these events had a vast impact on the culture of India, the Partition for example lead to high independence of culture within the countries created. It also however raised the amount of violence which resulted in high expanse in deaths within the civilians and war between the countries. Cartier-Bresson believed that his photographs were a method of assessing the present against the past, that they allowed him to compare the country with what it once was, helped him and the viewer to realise and appreciate all of the things that remained the same and continued throughout the years as much as convey all that has changed through time. It is important to note that Cartier-Bresson’s ideologies therefore his art work, have a clear link to his education and reveal a strong philosophical knowledge. This is visibly observable when being aware of his early life and edification through school. As a young artist he attended the Lhote Academy in Paris in which painter and sculptor Andre Lhote, took on the method to teach his students to integrate the cubist’s approach to reality (depiction of space, mass, time and volume as well as the use of multiple perspective) with classical artistic forms such as beautiful, almost perfect sceneries and people, along with the most truthful representation of reality, scale and perspective. Cubism was a first abstract art movement, which abandoned the tradition of perspective, displaying many views at the same time while preserving the expressiveness of subjects granted with philosophical connotations. The art work of this movement displayed a very geometrical presence and s ubjects of the painting were often tough to spot with just a brief first glance. The paintings were often chaotic in a sense of composition yet were exceptionally intriguing and very easy to look at for a substantial period of time. They required the viewer to see it with an open mind, ready to interpret and thoughtfully consider the subject while classical art only just offered something pretty to look at. While at the Lhote Academy, Cartier-Bresson developed an interest into human psychology and studied all leading philosophers such as Fyodor Mikhailovich Dostoyevsky, Friedrich Wilhelm Nietzsche, Sigmund Freud, Arthur Schopenhauer and Karl Heinrich Marx. The theory of the decisive moment itself reveals a very high understanding and influence of such philosophical knowledge, and it is enough to look at the very basic yet complex principles of an effective the decisive moment to see a clear link. Further studies of Cartier-Bresson’s theory reveal that a successful the decisive moment in photography is not by any means accidental but it is a careful combination ‘of a unique set of technical, cognitive, and emotional skills’. All of these can only be achieved by far reaching training therefore a vast amount of experience, and psychological knowledge of people. Both the emotional and the so clear psychological significance of this theory are based on the ‘dynamic interaction of the experiences of subject and photographer†¦ which provides the springboard for effective insight’. All of these factors play an essential role in the composition of the decisive moment. A well composed photograph within this theory creates a feeling of understanding, balance, harmony, interest, unity and closure. Although, however considerate and successful the decisive moment theory is, it only applies to street and photojournalism photography. So as important and influential as it is, it did not help to form or develop other styles of photography. The geometrical and beautiful aspects of art, combined with psychological knowledge are represented in almost all of Cartier-Bresson’s photographs; such as the photograph of two women taken in 1953 (figure 1) and the image of a mother holding her baby taken in 1950 in India (figure 2). The first image uses repeated vertical lines to emphasise the subjects within the frame which s this case are the two women. In the second image there is a clockwise design of thin lines which immediately move the viewer’s eye around the frame. Both of these images show a clear and careful consideration of geometry and designed viewer’s response by the photographer. In an article on photographic psychology; John Suler PhD professor of Rider University described the decisive moment as a ‘highly debated concept’. Throughout the years, Cartier-Bresson’s theory has been discussed from various angles and perspectives. Many of the arguments are objectively recent and mainly refer to the growing technological advance. Now that the decisive moment is fully understood in all its aspects, both the supportive arguments as well as those against the theory will be considered and analysed. Some could argue that although Cartier-Bresson was the first one to name the decisive moment, he has basically described a way photographers worked from a very beginning. The term photography is derived from the Greek phos graphe which means drawing with light. Photography was and still is considered to be both the art and science. It is a way of creating resilient images, which has been present for almost two centuries. Recently however the scientific aspect of it seems to have disappeared giving way to more of an artistic approach. Todays ‘photographers have all become artists’and have disregarded the theoretical approach to photography. However in the early 1900’s, while photography was still developing, photographers remained scientists capturing and observing various aspects of life. The first camera was more about capability to capture anything permanently form a different angle (through the lens for example), and the general achievement of a photograph itse lf. Looking at some of the early photographs now, it is clear that somewhat unconsciously the photographer picked the moment or the final chosen frame for a reason. Like the train track photograph, the photographer picked a certain weather and time of the day because it meant something to him. Find the image The opposite side of this argument could be the early equipment. Images created back in the 1800’s or even during the 1900’s required extremely long exposures. What could now be classed as the decisive moment in these images could have happened by pure chance and luck; for example in the first ever photograph taken of a person (figure 4). The only reason for why this was able to happen is that the person so far away on the street, remained motionless enough for the camera to record it. This was not the moment consciously considered and chosen by the photographer, it was just a frame chosen out the whole photo shoot. Now this is when this side of the argument becomes inconsistent, as the image was still chosen due to its certain properties and content. The same properties later listed and described by Cartier-Bresson as the decisive moment. In his article John Suler, mentions the fact that some modern photographers rejecting the decisive moment as an ‘outdated idea’. This conveys the most discussed contemporary aspect of Cartier-Bresson’s idea the technology. Photographers in today’s society do not think about the decisive moment anymore, they simply do not have to. New equipment such as cameras are easily capable of capturing enormous amounts of images in incredibly short periods of time. Without the concern, neither the cost nor the necessity to change, acquire new film roll or even then the requirement to develop the shots. Photographers either professional or amateur are able to pick the decisive moment afterwards rather then consider it just before the shot or while taking the photo. In the book on Conceptual Limitations of Our Reflection on Photography, Jan Baetens argues that there is a fundamental disjunction between the practical knowledge of the non-academics and contemporary (artis tic) photographic theory. Photography in today’s society became greatly more accessible on considerably bigger scale and now it’s not just professional photographers capturing the flow of life but everyone is capable of doing so. In another article on the decisive moment, John Roberts vey accordingly states that ‘there has been an intellectual regression within photography†¦ the social implications and possibilities of new imaging techniques in various sciences rarely move from the realm of specialist technical discourse into the broader field of critical theories of photography’. In today’s society photography is easier to use, mainly due to the technology and requires much less training and general knowledge of the equipment, techniques and composition therefore smaller amount of people taking photos are truly aware of the decisive moment and theoretical approach to photography. Although the technology now rejects the idea and recognition of the decisive moment, mainly due to high growing technological improvement, some could argue that it was Bresson’s idea which pushed the development of photographical technology so fast forward. His idea of perfection within the frame and the â€Å"perfect† image actually has in some respect motored the society and technology to advance. (One more sentence needed but don’t know what!!) Many contemporary arguments disprove and dismiss the theory of the decisive moment. There is however a clear link between the theory and human psychology, which highly supports Cartier-Bresson’s idea and vice versa. Suler’s article speaks very little on the actual theory itself, as its main focus remains on the use of photography in psychoanalytic therapy. The concept of Cartier-Bresson’s theory plotted into authentic psychiatry is very intriguing as it now links back with its original establishment. An idea based on basic human psychology is now being used to analyse one’s mind. Although psychoanalysis in this case is not much of an arguable point, it does shine a new light on the original idea and displays it in a slightly different perspective. In 1956 E. Kris introduced the idea of the â€Å"Good Hour. To understand the relation this has towards Cartier-Bresson’s idea it is important to understand the term and its importance towards creative arts. Kris describes the Good Hour as a process an individual goes through while undertaking one’s goal. The good hour begins with a negative implication; a feeling of frustration and disappointment. Next step within this process is that all the negative feelings are then neutralised and converted into dynamic energy which impulses the individual’s mind towards personally meaningful perceptions. The Good Hour, in which the individual is powerful and independent in the pursuit for meaning, varies from the â€Å"Pseudo Good Hour† during which an individual is driven by an aim to please someone or gain approval. This idea of the Good Hour resonates the one of Cartier-Bresson’s decisive moment and both photographic and psychological elements emerging as one. He moreover compared photography to the psychoanalytic basis; while Kris trusted the psychological progression throughout the Good Hour bring to mind those during artistic accomplishments. Both the factual events being photographed and the personal interpretation of ‘the decisive moment shot are the therapeutic â€Å"Aha!† moment’, a moment of recognising oneself within the human existence. Both the Good Hour and the decisive moment are not about achieving the goal (the decisive moment shot) to please someone but about oneself in the world of human experiences and subconsciously designed awareness lying in awaiting the opportunity to express oneself through in this case photography. As much as the idea worked in practise with Cartier-Bresson, which in a lot of respect is due to his extraordinary and exceptional knowledge and understanding of human psychology, it doesn’t necessary mean it has to work for someone who’s knowledge only consist of basic photographic skills, someone who was never absorbed by anything else but photography itself. How would one know what is the right decisive moment? All of our interpretations of imagery and stories are strongly based on our cultural capital. Cartier-Bresson’s theory comes into doubt when tested by the mass and today’s fast spread of media such as photography. The decisive moment (as mentioned before) consists of a collapse of both what is beautiful and what is significant to the individual capturing the image. However, human understanding and interpretation of both them factors, commences and cultivates based on one’s personal experiences, culture and society one was raised within and various values one was taught throughout life. In the theoretical approach toward the cultural capital, Pierre Bourdieu states that ‘individualscan be restricted by their habitus’. This statement is highly relevant within this argument as it supports the idea of that what is considered as the decisive moment by the photographer may be perceived as the most far away point from it by the viewer. It is evident that Cartier-Bresson was fully aware of the effects his work had on people, he says ‘It is by means of form, by careful plastic organization, that our thoughts and emotion become communicable’ His photographs are so well composed they instantly become highly artistic, yet at the same time, they are such strong journalistic medium with even more powerful message behind it. Cartier-Bresson’s work created art which became an expression of common humanity, it became an expression of ordinary, day to day people; revealing their tragic stories. All of this became possible due to careful consideration of both beauty and meaning thereof the decisive moment. Although such complex idea may be challenging to understand in today’s society, inflexible and overwhelmed by the technology, it has undoubtedly marked its importance in history of photography. As much as it may not be consciously considered when taking the photograph, our â€Å"perfect† ima ge is still chosen according to the same principles. Consciously or not, the theory of the decisive moment is still used in practice by both the professionals and the general public. If it was not for this theory the field of photography and its equipment would not be as far developed as it currently is. Jan Baetens argues (‘Conceptual Limitations of Our Reflection on Photography: The Question of Interdisciplinarity’, pp. 53–73.), there is a fundamental disjunction between the ‘practical knowledge of theà ¢Ã¢â€š ¬Ã¢â‚¬ °Ã¢â‚¬ ¦Ãƒ ¢Ã¢â€š ¬Ã¢â‚¬ °nonacademics’ (p. 61) and contemporary (artistic) photographic theory. Appendix Figure 1 Figure 2 Figure 3 Figure 4 CLM 2045M, Sara Zimna, 12299092

A Prose Analysis of Miltons Sonnet XIX :: essays research papers

A Prose Analysis on Milton's "Sonnet XIX" John Milton, a poet who was completely blind in 1651 wrote "Sonnet XIX" in 1652; this sonnet is his response to his loss of sight. The theme of the sonnet is the loss and regain of primacy of experience. Milton offers his philosophical view on animism and God. Furthermore, "Sonnet XIX" explores Milton's faith and relationship with God. "Sonnet XIX" suggests that man was created to work and not rest. The supportive details, structure, form, and richness of context embodies the theme. The sonnet goes through two phases: the first phase is Milton's question addressed to God, "Why me?" he asked. Then, the second phase offers a resolution to Milton's dilemma. Moreover, the sonnet acts as a self-poem to Milton, himself. In the beginning of the sonnet, Milton suggests that his primacy of experience have been deferred when he became blind. The words, "dark", "death", and "useless" (lines 2-4) describe the emotional state of Milton. His blindness created a shrouded clarity within his mind. Line three, "And that one talent which is death to hide" is an allusion to the biblical context of the bible. Line three refers to the story of Matthew XXV, 14-30 where a servant of the lord buried his single talent instead of investing it. At the lord's return, he cast the servant into the "outer darkness" and deprived all he had. Hence, Milton devoted his life in writing; however, his blindness raped his God's gift away. A tremendous cloud casted over him and darkened his reality of life and the world. Like the servant, Milton was flung into the darkness. Line seven, "Doth God exact day-labor, light denied?" describes the limitations and burdens of a person who has lost his sense of place in life. Obviously, Milton is making a reference to his blindness in relation to line seven. Line seven implies that once the usefulness of a man has diminished, then is man doomed to wasting the rest of his remaining days. In other words, has Milton's handicap made him into an obsolete machine? The quote "To be or not to be,†¦", (Hamlet, Act 3, Scene1) runs through Milton's mind. Shall he struggle and fight in the webs of darkness, or shall he accept defeat. A sense of "dark clarity" - a sinister paradox occupies Milton's mind. His brain was once clear, set, and on task; but now, it is clouded, unorganized, and fragmented. However, in the darkness, a new form of clarity arises. "That murmur. Soon replies, God doth not need Either man's work or his own gifts;" (lines 9-

An Organic Dissection of a Tutoring Session :: Personal Narrative Writing

An Organic Dissection of a Tutoring Session When Delvin (that's what I will call him) walked into the Writing Resource Center I was a little worried because I knew him from another class and a few social events, besides talking with him on occasion around the campus. I had had a bad experience earlier in the year when tutoring a friend of mine who'd asked me to help him with punctuation. I ended up just giving him a punctuation sheet and tried to work on some deeper level problems with word choices and development. He didn't see the problems or seem to want help in those areas, so he was offended at my attitude towards the content of his paper. (He thought that it was a near final draft except for a little editing.) Right away, though, Delvin said that his paper was in an early draft stage and he need some help "making it clear" because he was dealing with a difficult topic for Philosophy 205, Aesthetics. Now, Aesthetics is a complex topic dealing with ideas, objects, feelings, and theories as to what is beautiful and what is ugly. And Philosophy has a mode of thinking that is complex. At the time of my session with Delvin I didn't make the connection between the two, but prior writing to this paper the magnets reached their poles: the connection between philosophical thinking and writing development and also their ability, when done properly, to deal with complex issues. The main connection between the two is their ability to start with a topic and break it down into simple ideas and then reconstruct it into a theory or paper that displays, argues, questions, or proves the topic to a reader or listener. The philosophers main mode of dissecting a topic is by questioning every factor that is relevant (and even some that are irrelevant.) This is basically the same thing a writer should do when he or she begins to organize his or her paper. They need to find out, "who did what, when, where, and why?" Many writers and philosophers can organize these questions and answers in their head so that it makes sense to them, but the problem lies when they have to communicate multitudes of simple ideas to someone other than themselves. The overall idea won't make much sense to a reader if the writer spits it out like a madman babbling about the apocalypse.

Set Theory in the Flesh :: Numbers Mathematics Essays

Set Theory in the Flesh The idea of infinity has been around for thousands of years. It it impossible to even conceive of this number or anything that pertains to the infinite. There is always one more. A billion is a fairly large number, 1 with 9 zeros after it. If one counted by seconds without breaks, it would take over 32 years to reach it. A Google, is a number written as 1 with one hundred zeros after it. One couldn't even count the number of lifetimes it would take to count to this number. Yet there are even much higher numbers such as a Googleplex. This number is one with a Google zeros. It would take far far too long to even write out the number. If the entire known universe was packed with quarks, the smallest known material, the number of quarks would not add up to a Googleplex. Compared to infinity, though, this number is as far away as the number one. Set theory is an area of mathematics that deals with inconceivable numbers, and bottomless concepts such as infinity. As it turns out there are many different kinds and orders of Hartmann 2 infinity that were documented by George Cantor, who opened up this area of math for the world. One way of describing these different levels of infinity is with Cantor's theoretical "Hotel Infinity" which is also an Allegory of his work and struggles in set theory. The story is interesting and also explains the fundamentals of infinity. Cantor and his assistant built a wondrous hotel that was made in such a way that there are infinitely many rooms. When he makes this hotel, his enemy Mr. Kronecker, criticizes itsaying that it's impossible and breaks the material of logic and should therefore be destroyed. Kronecker was a real person who criticized Cantor's works from the start trying to get it dismissed as not real mathematics. However, Cantor was able to publish his works, and in the story, his famous hotel was able to be printed in news paper advertisements. When the hotel finally filled up with an infinite number of people, Cantor's assistant didn't know what to do. Finally, Cantor told him to make everyone move from their room to a room that is numbered one higher than the previous one they were in. By doing this, Cantor was able to make room for one more person.

Benford’s Law Essay

Benford’s law, aka first-digit law, states that in lists of numbers of naturally occurring data, the leading digit is distributed in a specific, non-uniform way. In number sequences, most people assume that in a string of numbers sampled randomly all nine numbers would be equally probable for the leading digit. Benford’s Law states otherwise. He found that the number 1 will appear first about 30% of the time and the number 9 will only appear first around 4.5%. Naturally occurring can be anything from check amounts or stock prices to lengths of rivers. Benford’s law is both scale invariant and base invariant. If something is scale invariant that means if you multiplied every number in the list by the same constant, it does not significantly change the distribution. For example, it does not matter whether the numbers are based on the dollar prices of stocks or their prices in Yen or Euros. Mathematicians have found that the larger and more varied the sampling of numbers from different data sets, the more closely the distribution of numbers approaches Benford’s Law. Benford’s Law does have limitations. Benford’s Law does not apply to uniform or non-naturally occurring data sets. Examples of non-naturally occurring data sets are made up of pre-assigned numbers like zip codes or UPC numbers. Benford’s law can only be applied to data that are distributed across multiple orders of magnitude. Moreover, if there is any cut-off which excludes a portion of the underlying data above a maximum value or below a minimum value, then the law will not apply. Benford’s law has many applications. Several countries, states, large corporations and accounting firms use detection software based on Benford’s Law. Benford’s Law is used in the accounting profession to detect fraud. It can be a powerful and simple tool for detecting frauds, embezzlers, tax evaders, inaccurate accounting and computer glitches. Dr. Mark Nigrini used Benford’s Law to test the first digit in approximately 170,000 IRS model files. Dr. Nigrini found that these lines follow Benford’s Law very closely. He then used Benford’s Law on fraudulent data taken from King’s County, New York District Attorney’s Office. The fraudulent data consisted of cash disbursements and payrolls, none of which followed Benford’s Law. In general, Dr. Nigrini found that fraudulent or concocted data have far less numbers beginning with 1 and far more numbers beginning with 6 than true data do.

Mobile Phone Disadvantage

Mobile phones are an invention of this current century that many people never believed would come to be the technological sensation that it has become today. If you only look back a few years, a mobile phone was actually considered a luxury and not the necessity that it has come to be. It was certainly not affordable by everyone. And then suddenly out of nowhere almost everyone has a mobile phone and not many can imagine a life without it. It seems that everyone is carrying a cell phone, no matter who you are, your age, student, businessman and we have become a nation and world of cell phone addicts. It is for a fact that having a mobile phone now a days is a sort of a necessity and it is an inevitable truth that mobile industry is taking everyone by a storm. From the very basic thing of making a call to texting, and now internet access for just a touch of your finger tips. Regardless any negative issue mobile phone had given a very big impact to this generation to improve everything. Do you have one of these? or do you know somebody who enjoys having such stuff? I do have one of those too and I wont deny the fact that I enjoys using them. There are a lot of advantages and dis advantages of using this kind of device. It is actually depend on the user itself weather he or she want to use it properly and make their life easier or the other way round which mean to use this helpful device for a negative purposes. In here there are some advantages which is coming from mobile phone that really help human for their daily business. Moreover a negative aspect also must be highlighted to ensure that all the mobile phone users will aware that this such a small device can drive them to a disaster. Emergencies As we are aware that mobile phone can be use any time, any where by clicking a few button it can be connected to a person that we want to. For example, If we are suddenly involved in an emergency of some type, which is very hard for us to find a public phone or go to somewhere for a help, by having this kind of devices we have almost immediate access to emergency services such as the police, fire or medical services. If there is a dangerous person on the loose in any certain neighbourhood law enforcement can contact each of us with instructions on what to do to stay safe. Information involving an Amber Alert or weather alerts can be almost instantly spread community or state-wide. In a certain kind of emergency which people need some evidence to prove, they can just take or record the situation through their mobile phone and keep it inside a memory or the more advance method the user can just upload online through any channel on internet. Here we can see how effective this technology which can update an instant info without any restriction. Therefore it can prove mobile phone can be use to avoid crime, to help people in emergency and perhaps it can help your self whenever you need it. Wireless Communications As far as we are concern mobile phone can keep a lot of data in it, which mean we can keep our contact, picture, song, video and etc. With this kind of ability it prove how powerful this device which mean by a single click it will show our family contact, it shows our friend contact and by a single click it can show your picture which can remind you on your family friends and those you know. In here it prove that We have the ability to stay in touch with our families and closest friends at all times through wireless texting, email and actually talking to each other. Moreover this time the technology is improve more advance which you can straight away make a video contact live on the phone. Even the distance is far, it will not isolate you and it will help human to keep in touch to any one that we want to. Not only use for those that we know, mobile phone is very useful for those who are running a business and highly important for education. In some cases, this could be also a disadvantage but for now it will be listed as an advantage. Safety Feature For those who live alone, or the elderly or disabled it is almost a safety feature as these people can be checked on during the day by family or neighbors. Or if they have an emergency they can immediately get help. By carrying this small communication device with them there are no more reasons to be stuck after a fall lying on the floor with no help insight. Families of these same people do not have to have someone with them all the time anymore as it often was in the past. But just as it is with everything else in life, with the advantages come the disadvantages. For every one advantage there are several disadvantages. Driving and Cell Phones Cell phones have become a bit of a hazard when in the car. Text messaging and answering or making a call with the phone while driving have already killed many people due to car accidents. In fact some states have passed laws against texting or using a cell phone while driving. There are devices where the phone can be hooked up to the car's sound system so when the phone rings you can touch a button on the steering wheel and the call will go through the car sound system allowing you to communicate while still having your eyes on the road. Health Hazard There have been more incidents of cancer of the brain since the use of cell phones have become so wide-spread but health officials are not sure if this is due to cell phone use. The phone does omit some very low, non-toxic levels of radiation so it would be a reasonable deduction that those who are heavy cell phone users could develop some health effects. Stress Level For some people, perhaps more than we realize, constantly being connected to a ringing phone can be quite stressful. As long as that cell phone is with us, we can never have any time alone and that time of calm is necessary to unwind sometimes. So, as with everything new there are advantages and disadvantages of having a mobile phone. Just as everything in life – every new technology brings advantages and disadvantages. And this is certainly true of mobile phones.